ESSAY VIII. On Society.
But these are the days of advance, the works of the men of
mind,
When who but a fool would have faith in a tradesman’s ware or
his word?
Is it peace or war? Civil war, as I think, and that of a kind
The viler, as underhand, not openly bearing the sword.
TENNYSON.
NEITHER wise gentlemen nor wise politicians prefer discourse
of politics to discourse of philosophy. The wise politicians prefer against
such casual discourse because they have the power to govern, and prefer the
substance to the theory, while the wise gentlemen know that as politics are
dominated by party spirit, one of the severest forms of common madness, they
must toil twofold and debate in a complete void of power with an almost
impotent influence. In the many spheres of philosophy and ethics one seeks to
improve; in the single sphere of politics one seeks chiefly to denigrate; the
foolish may easily perform the latter, the wise must sweat to achieve the
former. ‘The hand which cannot build a hovel, may demolish a temple.’
If every man
governed himself there would be no need of government, if every man were just
there would be no need of law, if every parent were educative there would be no
need of schooling; if all the world’s individuals corrected themselves, the
world would be corrected, and a man confers more benefit on his country by his
character than by his vote. That is why Jesus so quickly dismissed the trap set
him by the Pharisees with that many sided answer, ‘render unto Caesar the
things that are Caesar’s, but unto God the things that are God’s’. Jesus of
course could easily have made his cause a political cause, even a military cause
as Judas would have preferred, but I believe He realised quite fully that
society and government and politics are all merely concepts either relating to
men or denoting men. It was the individual he was interested in, and it was
with the aim of improving the individual that he believed all other things were
to be improved. His view was in this respect the opposite of Plato’s, whose
talk about large lenses in the Republic implied that he thought societies
improved individuals more than individuals improved societies. Modern history
has rather disproved that notion, for we are now more generally wealthy,
healthy, and knowledgeable, as societies than we have ever been before, yet the
spirit of the individual seems to burn very low in the circumstances. Indeed, if
civilisation is a phoenix the twenty-first century has thus far made ashes
enough.
Yet I will venture a
few observations about how certain small practical matters might be of
assistance in improving our present society, if only because I know that the
process of individual improvement in the world is going to be a very long one,
and that meanwhile a few ordinary alterations may be of material assistance to
us in our weakness. There is one thing, in my opinion, above all others that a
society needs, and it must be manifest in a public form as well as a private
form: a means of softening its peoples’ roused tempers. Man grows indignant,
and his pride can be sharp. Truthfully we are all of us noble creatures with
virtue for our pith, but things accumulate upon us and make mincemeat of our
patience. It is in impatience that most error occurs. Therefore, there ought to
be something prepared in a society where people at the end of their tether may
resort. A place in public of running water without traffic, privacy without
loneliness, music without loudness. Such a place could be a park but it should
have to exist on certain principles. It should have to steadily forbid gaiety
and rowdiness even at the cost of courtesy, for those in a heightened state of
distemper can never bear frolics; it should have to restrict its entrance only
to those who confess at the gate that they are in a state of high tension; most
importantly, it should provide artistic respite: harp music, classical
sculpture, gardens, pleasing architecture, and so forth.
Art is the most affecting of impulses. Its
colours, those bright shades now so often employed in advertising with an impulse other than æsthetic, communicate with
the primary urges of man. A strong red, subconsciously no doubt but decidedly,
stirs perhaps ancestral memories of shed blood gathering like wax on the
ground; a clear blue works the recollections of sea and sky, and thus all that
those two boundless elements suggest in the emotions: adventure, the
untrammelled pursuit, fresh air,
renewed prospects, the dynamism of weather, wet, fierce, and thunderous; and
then the striking green, whose piercing hues tell of jungle, scrubland, the
refracted collation of summer hedgerows, perhaps winking with the warm tears of
May, but ever breathing the sweet diffusive scent of the newly showered earth;
or the darker green, solemn in mystery, warning of thicker boscage and so
greater camouflage for the viper, the frog, and the Enemy; then orange, richly
blushing like the surprised complexion of a sun-kissed damsel in an exceptional
June; its tones tell of juices heavy-laden with sugar, caught in the membranes
of their pregnant fruit, its rays speak of sunsets which brushed a far-flung
scenery in a long distant age; then at last yellow and pink, the pastel shifts
of less potent light, which tickle the fancy and please the attention with the
thought that all is as well as a blackberry ripening on a bramble, or as serene
as a daffodil flouncing in a meadow.
I admit that I am
something of a sentimentalist for art as historically understood. Yet not
without reason, for although there are surely some good modern artistic
impulses, generally speaking it is a fact that there has been far too much flying
in the face of tradition since 1950. Anything which is not immediately new and
radical is considered traditional, but the history of art is thousands of years
old and there have been many different moods and periods in all its forms, in
music, painting, architecture, literature. Innovation has always existed in
art, but too often now something is only considered modern if it is shocking or
inscrutable. History has a great deal to teach us, we should heed it, he who is
not in sympathy with history is not in sympathy with himself, for he who is not
in sympathy with the past is not in sympathy with the present. The present is
the work of the past, and the histories of the past, be they ever so tragic,
were the means by which the present, be it never so wonderful, is able to
exist. None who despise history can be trusted, for such persons cannot learn
by example.
Art is the suffering
of a thousand pains for a single pleasure, thus a good painting is art, a good
cantata is art, a good life is art. Illness bravely borne is art, charity (true
charity and not alms-giving) in the midst of salubriousness is art, irritation
concealed is art, for virtue is the spirit of art, courage is its action, and
modesty its face. Every nation should take up and cherish whatever is left to
it of its unique culture. Its history, tradition, character, identity, and
language, are products of the early conditions of civilisation. Unless a
catastrophe should occur to mankind, such conditions will not exist again. To
consciously and assertively wage war on these aspects of culture is therefore
to in fact efface what cannot be restored, and to lessen the quality of the
earth in the name of a disguised impulse for destruction. For what must the
marvels of modern technology, of electric lures and companions, inevitably
dispose us more freshly towards except the even greater marvels and the far brighter
companions of people, animals, and plants, which comprise mere parts in God’s
own more extraordinary and plenteous technology of nature. This plenteousness
was most tastefully used in former times, through the employment of stone and
timber, brick and wood, materials abundant everywhere and not synthesised in a
laboratory; noble materials, which uplift a troubled citizenry, quite unlike
polythene.
The great argument
for admitting the truth and force of superior taste is that life, mortal and
human, is limited and should be used to the best possible advantage. Of course
a man can only deal with what he knows, but when he comes to know better things
of actual worth, more meaningful and attractive than all he has known before,
to repudiate them and cling to their inferior correlatives is like choosing to
drink from ponds instead of springs. In fact, upon this very point, I once had
a debate with my youngest brother regarding the superior merits of the
classical tradition of music to the modern tradition. He attempted to maintain
the ground, which I think indefensible, of taste being merely a matter of
random chance or decision. There is an almost magnanimous aspect to this
argument, it suggests that people have a right of choice and commends freedom
of mood. Music can stir the deepest feelings of man, but in feeling, as in most
other things, the quicker impulse is often the lesser. A quick drumbeat accompanied
by a loud rousing war cry, which is frankly the formula of many a contemporary
song, is instantly stirring, whereas the slow and refined elements of a
movement by Bach or Rachmaninov will require time, patience, and a sympathetic
intelligence, to appreciate. By the law of equality the belch of a gorilla is
equal to the soprano air of ‘I know that my redeemer liveth’. It is the foolish
idea of beauty being in the eye of the beholder instead of being seen by the beholder and recognised by the eye of the mind. Those of sense
and honesty must call the former a falsehood of the imagination. All sound is
sound but not all sound is music, and music like all arts is the better the
more generally accomplished its creator. So taste becomes a matter of important
distinction; those who have superior taste will appreciate superior works,
those who have not will not, and superiority is always determined by respected
worth rather than applause. For respected worth must imply the presence of a
greater complexity of thought, a complexity ordered instead of confused, in its
subtle intermingling of the quiet and the expressed—while applause requires
only noise.
Howsoever, good
taste is obtained only by slow gradations and the lower rungs, if not rotten,
are often the means to the higher. Perhaps too some things partly in poor taste
are partly in good taste as well, and want but small alteration to be
wholesome. Yet the distinction holds and ought never to be abolished upon the
deceitful grounds of a malicious and inverted snobbery, cherished and
maintained too often by the well established, that speaks of merit as elitism
and progress as arrogance.
Society, I suppose, will only be respectful
again when it is respectable again. There are a number of books in print now
compiling some of the Victorian photographer Francis Frith’s pictures, of which
many are simple shots of the country as it used to be. I even have a book which
compares some with photographs taken of the same places a hundred years later,
but I had to put it away to avoid melancholia. The general impression is one of
space, cleanliness, symmetry, and order. Of course the slums of the industrial
cities could present different scenes, but even in those pictures, though
poverty is obvious and disease apparent, the sense of a tradition in stone and
clothing is still discernible, whereas nowadays such slums might be anywhere in
the world. Moreover those industrial centres were not so indicative of the
country at large as Dickens has inclined us to think; the seaside towns
especially appear astonishingly clean. Moreover the industry apparent there is
enough to astound anyone familiar with those places to-day. Fishing boats were
all along the beaches and with them hale, smiling, noble, old fishermen. Truly
this country used to eat everything which bred around its shores! Also the
sense of respect to class and education is manifest in the appearance and
demeanour of everyone pictured. How changed we are! How altered!
Now
virtue is a tool of ambition.
And loyalty a guise of sedition.
‘Alas, alas that
great city Babylon, that mighty city! for in one hour is thy judgement come.
And the merchants of the earth shall weep and mourn over her; for no man buyeth
their merchandise any more:
‘The merchandise of
gold, and silver, and precious stones, and of pearls, and fine linen, and
purple, and silk, and scarlet, and all thyine wood, and all manner vessels of
ivory, and all manner vessels of most precious wood, and of brass, and iron,
and marble,
‘And cinnamon, and
odours, and ointments, and frankincense, and wine, and oil, and fine flour, and
wheat, and beasts, and sheep, and horses, and chariots, and slaves, and souls
of men.
‘And the fruits that thy soul lusted after
are departed from thee, and all things which were dainty and goodly are
departed from thee, and thou shalt find them no more at all.’ REVELATION.
xviii.
10-14.
So much is departed.
There is surely no greater sign of perversity in any social consensus than the
view that to be privileged is a
negative thing and to be demeaned a positive thing, yet that is how things have
developed. Politicising feeling and stoking resentments has become the habit of
our time. It is now fashionable to make a victim of oneself and a culprit of
the world, though nine times in ten the reverse will be true. What do we
receive of the world? Merely birth, sustenance, care, and shelter; or
companionship, purpose, language, and diversion, indeed everything which was
not ours already in our mothers’ wombs. We make idols of ourselves, our words
law, our opinions currency; we act like kings, like birds which refuse to fly
because they think they can swim, or leopards which refuse to run because they
think they can burrow; we act like kings, but we are hardly even men.
Commonsense is good
but uncommon sense is better. Why now do we delight so much in demonstration,
riot, protest, and scorn? The brainless though many-headed multitude give up
untying a shoe lace and cut it in half instead. In this age when prosperity has
become so general there is a greater obsession with class and injury than ever
before. For there are in this world ‘offences given and offences not given but
taken’ and now that the former are so few the latter are become more numerous.
Justice is endlessly demanded, but social justice is only one limb of natural justice, and indeed it
is impossible to imagine the former without presuming upon the latter. Let all
trust in providence, to be good is better than to be right.
It may be regretted
that the great aristocrats of the past have been so displaced throughout
Europe, for their wealth being of the longest standing, and their distinction
the most deeply founded, would cause the least resentment. Howbeit the old
tradition has been very brutally mauled, and an open field of ambition now
awaits the grubby world. None who succeed can be loved, none who fail will be
pitied. Everyone outwardly or inwardly covets more than his fellows. Jealousy
is the consequence and, via jealousy,
anything but philosophy, anything but resignation or duty, or the sublime
consequences of either. The two world wars were dreadful things that ought
never to have occurred, especially the first, but their worst effect was not
the destruction of kings, nor of nobility, nor even of the soldiers, officers,
and citizens, killed; their worst effect
was the despondency they left in those that lived. Almost everything central to
European civilisation was abandoned after these wars, the churches were bereft,
the palaces and manors were razed, old forms and old shops of old trades were
closed, so that a hollowed out bowl was left of the world, unfit to carry
anything to the brim, fit only to accumulate mould around its edges. Many would
have cheered at the time for thought of these things, perhaps they only meant
well, but would they have cheered so earnestly if they could have foreseen all
which has since unfolded?
There lived a king, as I’ve been told,
In the wonder-working days of old,
When hearts were twice as good as gold,
—And
twenty times as mellow.
Good-temper triumphed in his face,
And in his heart he found a place
For all the erring human race
—And
every wretched fellow.
When he had Rhenish wine to drink
It made him very sad to think
That some, at junket or at jink,
—Must be content with toddy.
He wished all men as rich as he
(And he was rich as rich could be),
So to the top of every tree
—Promoted everybody.
Lord Chancellors were cheap as sprats,
And Bishops in their shovel hats
Were plentiful as tabby cats
—In point of fact, too many.
Ambassadors cropped up like hay,
Prime Ministers and such as they
Grew like asparagus in May,
—And dukes were three a
penny.
On every side Field-Marshals gleamed,
Small beer were Lords-Lieutenant deemed,
With Admirals the ocean teemed
—All round his wide
dominions.
And Party Leaders you might meet
In twos and threes in every street
Maintaining, with no little heat,
—Their various opinions.
That king, although no one denies
His heart was of abnormal size,
Yet he’d have acted otherwise
—If he had been acuter.
The end is easily foretold,
When every blessed thing you hold
Is made of silver, or of gold
—You long for simple pewter.
When you have nothing else to wear
But cloth of gold and satins rare
For cloth of gold you cease to care
—Up goes the price of
shoddy.
In short, whoever you may be
To this conclusion you’ll agree,
When everyone is somebody,
—Then no one’s anybody!’
W.S.
GILBERT.
There are certain politics which resemble
thorns or burs in their qualities, both in overgrowing and displacing better
plants, and in pricking and cutting all they touch. High taxation is an example
of a most odious, immoral, and unpractical, political policy. When the Roman
emperor Caracalla had, during his infamous reign, doubled the inheritance tax
from five per cent to ten per cent it was felt by his imperial successors, of
which a very few possessed any virtuous merit at all, that the imposition of so
high an income tax was too oppressive a policy even for their selfish and
covetous ardour to maintain. After Caracalla’s death the former proportion was
restored. Thus the vast magnificence of the Roman Empire, in all its might and
splendour, was maintained upon a five per cent inheritance tax for the better
part of five hundred years.
Avariciousness has scaled more blazing peaks
of ardour since, for inheritance tax in twenty-first century Britain is twenty
per cent on fortunes greater than three-hundred-and-fifty-thousand pounds, and
thirty percent on fortunes greater than two-million pounds. That which then
seemed oppressive to despots now seems evidently insufficient to democrats.
It is difficult morally to identify a
distinction between the theft of a burglar and the unnecessary tax of a
governor. In fact, it is likely that an infrequent loss by burglary would seem
a loss relatively insubstantial when compared to those losses suffered by whole
populations through the protracted and regular effects of unwarrantable
taxations.
In
the first place high taxation inevitably bloats a government beyond its true
and useful size. The potent vice of lucre can enter through the portals of
state as well and as silently as elsewhere, it may be that it flourishes in
such complacent habitats best of all.
The
humblest workman is glad of his little all, and gladder still of a little more.
He thinks but positively of his own prospective acquisitions when he might
curse and revile another’s. Property is a great seductress, and Marx himself
could not feel truly displeased by a fortunate windfall of his very own. If one
could justly indulge the pleasing notion that all mankind are altruists in
spirit, and only misanthropes in form, then it would seem surely as much the
joy of the workman as the aristocrat that the noble young heir should come into
his palatial inheritance. For a palace is beautiful, and a young aspirant
member of mankind has inherited it; so the inheritance is an accession to all
mankind. Though beauty and grandeur may not exist in ubiquitous measure, if
only for the fact that beauty is uncommon because its umpire is ugliness, yet
where they exist let them exist. Beauty bestows benefit and joy in its glances,
though one should not possess it. To know beauty is the privilege of ugliness,
to know ugliness is the burden of beauty. Where is the pathos in the ugly duckling? It is
neither in the ugliness of the duckling nor in its beauty as a swan, but in the
beauty of its family. Were it not for the beauty of the others the duckling
could not be ugly. The tale would have been more aptly titled The Beautiful Family and the Offspring
Ugliness.
Not that I myself hold
great stock by riches, but I do not jealously look on those who have it. If
they spend them poorly I should feel disapproval, but if they spend them
wisely, maintaining a useful social position and cultivating such things as the
arts, I should feel approval, not envy. As far as history can tell a nation is
most profited by having wealthy people in it, and discouraging such people for
the sake of an ideology such as Marxism, which has a squeamish phobia for
anyone who is not on his last legs in the gutter, is
absurd. When a country would be greatly aided by encouraging the wealthy
generally, to not encourage them for the sake of a prejudice is like failing to
rescue a man injured on a cliff because, as a principle, it is dangerous to
approach the edge.
Many clergymen hold
precisely the opposite opinion, and this I have gathered from experience. Yet all
such discourse in church, whether on one side or the other, is surely distasteful.
These same debates are held everywhere else in society, and many might hope
that the church would prove an escape from such discord, a place of unity; but
no, politics are rife there too. Some clerics make the great mistake even of
attempting to vindicate their political bigotry by their religious faith. This
comes of a real, and perhaps not altogether subconscious, preference in the
church for politics to religion. How many party speeches are now passed for
sermons in the pulpit? It is by no means an irregular phenomenon, especially
amongst the many actually agnostic clergy in the church to-day. All these
attempts in fact come to the exact opposite of the avowed intention; not the
vindication of political bigotry by religious faith, but the sullying of
religious faith by political bigotry. Truly, the connection between politics
and religion is very thin, and commonly they look squarely opposite each other.
They are like the two points of a horseshoe—of the great, seven feet high,
bronze horseshoe given by George IV to the Rutlanders—they are connected, but
only peculiarly. They are connected in the prayers for the Sovereign’s Majesty
and Royal Family, in the Episcopal peers of the upper house, and the duties
generally of church to monarchy, but not in anything specific or particular.
For that reason I do not think churches should interfere in political debates
on contraception, abortion, or euthanasia, which are very abstruse questions, almost entirely
caused by modern circumstances, and never directly mentioned in the Bible. Nor
should the abstractions of great literature count for anything in matters of
internal law; this has been informally granted in England since the days of
Alfred.
I do not wonder
however at the almost constant interest people seem to take in politics to-day. I have
seen the hopeless concrete abroad, smelled the stinking coast, felt the
rubbish-heaped city, heard the ear-ringing motorcars in the hamlet, the
village, and the country town. It is no surprise to me that people turn avidly
political because they are discontented. The common structure of society is not
well designed to avert those losses of temper and equanimity which, if traced throughout
their history, may be seen to have caused many of the worst tragedies of
mankind. Cities certainly are poorly designed to heighten our grace. We are
social animals it is true, but we are also large, demanding, and thoughtful,
animals; we must have our space and quiet. To thickly conglomerate sheer
millions of people within a few miles square, and to suspend a great many of
them in concrete cells towering hundreds of feet into the air, is obscene. It
is an offence unto the race, and who can wonder when it is reported that these citizens are unhappy, or worse, are
angry and filled with hatred against each other, and that many of them have
turned to criminality, to swiftly ruin their hopes and prospects because the
city has already ruined their happiness.
Too many people should not live together
without privacy and quietude. There should be places where our social instincts
may be freely indulged, for the short periods of time when we really wish to
indulge them, such as those old public houses, now dying their slow deaths,
where gentlemen and workmen, in their own appropriated areas, enjoyed their
respective feelings of comradeship and purpose amongst fellows of their own ilk
and kidney. Or tea parlours, for the sensible beings who have realised that
alcohol causes more errors and agony than almost anything else on earth, where,
amidst a natural array of papers and pictures, eighteenth-century men and
gentlemen enjoyed one another’s conversation. The church furthermore, now so
widely and indicatively neglected, where every village came to know itself and
to devote itself to goodness and morality, was a regular place of society, the
better for being an obligation, where neighbours were obliged to acknowledge
each other as fellow mortals, where the rich cauterised their arrogance and
smiled on the poor, and the poor killed their envy and smiled on the rich,
where, for an hour or so, society died and fellowship lived!
Nothing mortal is perfect, but certain
things are more imperfect than others, and how can anyone think that the small,
and consequently greater, the modest, and consequently nobler, village lives of
old England past were not preferable in many respects to the flat lives of new
England present. Cultures and people change with time, but tradition is a
continuous thread which connects families across generations and whole eras across
history. Much in the name of progress is liable to be lost but there surely has
never been so reckless and overconfident an age as this present one, where
history is looked upon as a mere collection of tales, and tradition as a mass
of eccentricities. More ought to be done to preserve what is left, before all
is lost and we have nothing but the ashes of the earth to bequeath to a forlorn
posterity.
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